Here is evidence of Partch’s musical splendour and genius:
So, the art of astronomy ostensibly begins with the Babylonians around 3200-3800 years ago, according to relicts discovered that were ascribed as the “Babylonian Star Catalogs” I really don’t know much about these documents, eg, who discovered them and when, but a star catalog is simply a charting of the skies. A wonderful academic article appears from Dr. Robert Powell charts the provenance of Babylonian astrology and naming: http://www.astrogeographia.org/articles/BabylonianZodiac (Powell). Babylonian divination-priests were de were the agents who excoriated the sky with lines to connect star to star in such a way that reflected the proclivities of each season and ascribed to each star a corporeal sensibility and a name which corresponded. So the Greeks came later and charted further adumbrations of what were to become the modern zodiac and cosmological blueprint of the sky’s constellations.
Understood, but what is missing here, as far as I can see from my vantage point, is the POSITION of peoples in viewing these stars and corresponding celestial bodies. Babylonians had a perception of the sky and so too did the Greeks from both a geographical positioning as well as a subtle, mental zeitgeist that positioned them, creatively, in their analytical thinking on all things theological, empirical, and theoretical. The graphic embedded in this blog post is from the University of Tennessee’s website detailing the folio of constellations as if one were looking at a boon that is flattened and spread out at its sagittal plane:

(http://www.physics.unlv.edu/~jeffery/astro/constellation/constellation.html)
(c) University of Tennesse, Mount Wilson Observatory
But each individual has a differing geographic station on the earth from which they view this tome. The following links are examples of the same sky of those people located in Kent http://ftp.fourmilab.ch/cgi-bin/Yoursky (Walker)and those people located in Johannesburg, South Africa http://ftp.fourmilab.ch/cgi-bin/Yoursky(Walker)on January 25th, 2010. Now, librations make volatile these fluid skeletons of fire and gas, but the gist is that to each person, their axis and rays.
Thus, it seems that Christopher’s postulation on constellations being delineated “arbitrarily” as he is concerned (Haddon 125) as well The Monty Hall Problem (Haddon 64-5) both are correct unto themselves as evinced by Boone and, as well, as to a theory expounded on by William Faulkner in his novel Absalom! Absalom! that is used to describe Miss Rosa Coldfield as seen by Quentin Compson who sits in consideration of a story she is giving on Thomas Sutpen. Miss Coldfield, as inferred by Quention, is“[…]a barracks filled with stubborn back-looking ghosts still recovering, even forty-three years afterward from the fever which cured the disease, waking from the fever without even knowing that it had been the fever itself which they had fought against and not the sickness, looking with stubborn recalcitrance backward into the fever and into the disease and not even aware that the freedom was that of impotence” (Faulkner 7).
Rather than meditating on and thinking through the system of a “thing;” what comprises it and how the individual parts of the system works; and the logic of how all these relations interact and correlate to each other, so many of us are apt to leap toward a logical reason based on extraneous inference on similar systems(an old truck of yours once misfired and the battery idled at a low level so when a similar problem arises in your current vehicle, you replace the battery because that is what the diagnosis became in the truck; in actuality, the flaw in the system of your current car is a ground wire leading to the coils and the battery was actually salubrious)or infer cursorily because we feel well-versed enough in the theoretic of how a system(s) should work so we “logically” give the sum as an exponent that is apocryphal to the actual problem.
But, a bad battery is a bad battery and a bad ground wire is a bad ground wire; you just have to dig deeper in logic—get into its bowels and furnaces, its pipes and cinderblocks and not merely stop eternally in its foyer and admire the symmetry of joins and cornices—to discover which agent is corrupt and which is well unto the system.
It is so much the want of man, in its mean, to answer and codify what is perceived from their own azimuth and presume that grid is how the world operates. Boone builds a resistance to this theorem by utilizing the theorem to the degree that he does not seek the world abed in his hypothesis. To say that Orion—if dismantled and recalibrated to an angle of stars as seen in other parts of the world—could not be an elephant(Ganesha or the simple, general pachyderm)is narrow and desultory; it does not correlate to logic. That is Boone’s sight-line: a latitude of logic. There are a million minds and a million eyes in this world if one; there are a million adumbrations of how and why of the mind and the eye if one. It is not that Boone—ostensibly, dealing with autism—is oblique of society, it is simply that society’s tenets are oblique to the order that life and organics have constructed. That order is a variable defined by each human animate upon this earth
WORK CITED
Donahe, Bob. “Constellations, Clusters of Stars, and Star Names.” Mount Wilson Observatory, University of Tennessee. Version Two. University of Tennessee. 2003. Internet. 27 January 2011
Faulkner, William. Absalom!Absalom!. New York: Vintage International, 1986. Print.
Haddon, Mark. The Curious Incident of the Dog in The Night-Time. 1. London: Doubleday, 2002. Print.
Powell, PhD., Robert. Astrogeographia. Version One. The Sophia Foundation. 2007. Internet. 27 Jan 2011.
Walker, John. “YourSky Sky Charts.” YourSky. Version Iterate. John Walker. 2003. Internet. 27 January 2011.
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Paul, I like that you focused on the constellations as a framework for interpreting the text. I found your discussion on how the perception of these shapes depends on the vantage point of the viewer, similar to what Christopher states, to be a good analogy to everyone's unique perspectives on the world. I also enjoyed reading the past references to the Greeks and the Babylonians, as well as Faulkner!
ReplyDeletePaul,
ReplyDeleteI liked how you were able to bring in the stars, of all things, and relate them to the novel! The whole "perspective" topic you discussed is something that I had considered, but I am really glad that you took this opportunity to really run with it and compare it to Christopher and what he deals with. Great entry!
Paul -
ReplyDeleteFirst of all I loved your quote about Falkner and our wife, I pointed it out to my boyfriend in hopes of receiving such beautiful compliments in the future! In all seriousness, I loved how you incorporated the stars into the reading. I am sure that Christopher is easily able to relate to the mathematics of stars and their shapes. What a great new perspective on the book!
Paul-- As usual, I am struggling over your use of vocabulary! I had to look up definitions of half of the words you used. Haha. But that's beside the point. I did find it intriguing that you chose to write your post about constellations and how Christopher perceives them. Your last paragraph I found especially captivating. All of us who inhabit this earth are vastly different and each of us holds millions of interpretations to different outside cues. So is Christopher far off in saying that the shapes of constellations are arbitrary? Can't we all find something different in the patterns of stars in the sky? And can we not hold this true to just about everything else in life? Everything is subjective but therefore, we are all similar in that way.
ReplyDeletePaul, this is quite the intense posting. Certainly you have a command of our fine language. Your vocabulary is as vast as the night sky itself. I almost wish for a star map to guide me through the shining realm of your insight. I appreciate this fine, very unique examination of the logic behind Christopher's fascination with the cosmos.
ReplyDeletePaul,
ReplyDeleteagreeing with Erin and Laura, your vocabulary was quite challenging. Interesting perspective of the novel, however. I feel like you focused a little too much on astronomy and not enough on the analysis of Christopher or the novel. I would've liked to have read more on what you thought of the book. I enjoyed learning about the constellations, though.
Paul, I'm not sure I understand your verbal acrobatics but here is my heartfelt attempt at deciphering what you were getting at! Forgive me if I'm too far off the mark.
ReplyDeleteReplacing the battery without giving a thought to the ground wiring is something I would most likely do! I, like most people, don't often go "deep" enough into logic or into our understanding of our surroundings to truly get at the root of the matter. Haddon may have been pointing out how Christopher got to the root much more often than the average person. As far as Christopher's view on the constellations, however, I didn't think that he had a particularly deep or comprehensive understanding of the cosmos anymore so than the normally educated person. When he looks up at the sky, he simply chooses to objectively see randomly placed stars. This is one more example of his inability to see the world in any other way than logically. I think that the average person knows that the stars are arbitrarily spaced and that when we see shapes in the sky we're simply feeding our imaginations.
An interesting iteration of Christopher's thought pattern to be sure. Who knows how accurate his perceptions of the cosmos really are? Is his simple appreciation of all the lights the thoughts of a simpleton? Or is his simple admiration which contrasts to his more conventional calculating methods suggest a depth which is more than meets the eye?
ReplyDeletePaul,
ReplyDeleteMay I just say wow. I thought that your blog post was very interesting, it incorporated many words that I must now attempt to include in my own lexicon, and it was written very eloquently. The discussion of the constellations was one of my favorite parts of the book. The idea of finding patterns in the stars has always intrigued me, especially since (like Christopher) I have always found different shapes in the stars than other people see. The idea of order happening naturally in nature is a great thing to think about especially since there are concrete examples of nature being highly logical such as the golden ratio and its correlation to the Fibonnaci sequence being seen in the nautilus shell. Order is all around us and it is often said that if you look for a pattern you are bound to find one. So while constellations can be open to different interpretations like the shapes of clouds, nature does have a very ordered form of creation it seems. Life comes about in a highly patterened way and it is always incredible to discover the intricacy that surrounds us every day.
Paul--
ReplyDeleteI knew I could count on you for a complex, deep reflection( and that's the highest of compliments!) I love Faulkner too--what a fantastic writer. And he has such a talent for perception, as do astronomers and the like. Your post on the stars makes one realize just how much of the world is a reflection on perception-- not only things we see, like books and stars, but also things we come to evaluate, like autism. Thanks so much for a great post!
Erin
You post was very educational. I felt like I was back in Astrony class. I liked how you related Astronomy to Christopher's mind and how he sees things. I was able to read and bring the novel into it.
ReplyDeleteThe variability of perception is a nice message to take from Christopher's mention of the constellations, but I tend to think you've missed the point. It isn't so much that Christopher is remarking on all the different ways to see the stars, but rather that they are all just stars; the 'logic' of uniting them into distinct constellations is fallible, and thus, to Christopher, not actually logic at all. That said, you've certainly got a way with words.
ReplyDeletePaul:
ReplyDeleteGoing off of Christopher's notion of constellations definitely made for an interesting blog posting. It really gives the readers a chance to look at the stars with many different perceptions. Interpretation is clearly key in regards to what you said for constellations, and it was definitely a great insight into Christopher's though pattern!
Paul. I am tempted to run to the bookstore and buy one of those "1,000 Words to Know" type of books. I'd be lying if I said I fully comprehend the conclusions you are trying to draw. Some of the meaning was lost to me in the complexity of the language, both in vocabulary and peculiar syntax. I'm not sure if that speaks poorly of the writer or the reader or neither, but there was definitely considerable obstruction of communication. I do like some of the poetic phrasing and literary devices you utilize, but I would rather have a full understanding of what you're trying to say. I can see why you love Faulkner! Interesting discussion about Christopher, though. The infinite number of constellational interpretations is a great analogy to the infinite number of possible perspectives the human race is capable of.
ReplyDeleteYou definitely have a unique way of presenting how Christopher views the world. I wish I knew more about constellations and astronomy so I could talk a bit more about this and how it relates to the book, but my basic understanding of basic shapes prevents me from doing so. But I still can get a sense of where you're coming from here; a fact is a fact, but how you come to realize that can be different from somebody else.
ReplyDeleteYour view on perception is quite intriquing. Using the stars motif as a metaphor for perspective is useful and helpful. I would agree with your perception of how Christopher views the world. The same, but somehow different. My little dipper is your sqiggly line.
ReplyDelete